Applied Poetry, Part H2O

This batch of poetic terms comes from a particularly fishy technical report—enjoy!

Area of production foregone. A demographic model that calculates the area of spawning habitat required to offset the number of eggs and larvae lost as a result of intake operation. This is at the same time utterly practical and yet mindblowingly and heartbreakingly metaphysical, and that is what makes it poetry.

The following is a very short sample of bizarre common names for fish:

alewife

hogchoker

mummichog

cunner

I’d really like to know the etymology on these fish, but a cursory search turns up very little. If anybody knows more, please drop me a comment or an email. You know I love this stuff.

 

Holmgren’s 12 Principles of Permaculture and How They Apply to Writing

David Holmgren developed his 12 principles to assist architects, engineers, environmentalists, farmers, and anyone else involved in creating a sustainable habitat. In honor of Earth Day, I have found a further use for them.

1. Observe and interact.

To write truthfully, you need to pay attention to what’s around you. Even the wildest fantasies are inspired by what’s going on right here and now. Want to write realistic dialogue? Listen and talk to people.

2. Catch and store energy.

Take notes; you never know what will spark your next idea. Open yourself to inspiration in common and uncommon places.

3. Obtain a yield.

Keep your day job until your writing pays. To take this in another direction, does your creative work sustain you in other ways? If not, reconsider how you are spending your energy.

4. Apply self-regulation and accept feedback.

“No one understands my brilliance!” Possibly. You can either be brilliant all on your own or listen to and consider suggestions, especially if more than one of your readers give you the same critique.

5. Use and value renewable resources and services.

Write what you know; work with what you have. You know which projects are likely to pay you back for the time invested.

6. Produce no waste.

Focus your ideas and nurture those that are likely to bear fruit. Obviously not everything you write is going to see publication or even a second draft, but if you suspect you might be frittering away your time, you’re probably right.

7. Design from patterns to details.

Develop your outline or plot first, using a pattern that makes sense to you and is at least somewhat familiar to your audience. Add the small touches, the trees in your forest, as you go.

8. Integrate rather than segregate.

You can apply this to your associates, your jobs, and your writing projects. It’s a far more efficient use of creative and emotional energy.

9. Use small and slow solutions.

Remember that story about the patient tortoise and the arrogant rabbit? Incremental change is easier to implement and monitor than a drastic, reactionary rewrite.

10. Use and value diversity.

Eggs, meet multiple baskets. Try a new method if you’re stuck. Seek out different critics.

11. Use edges and value the marginal.

My favorite one! Watch the interstices in any system or population; really interesting stuff happens there and often goes unnoticed. Got a rough edge in your story? Instead of trimming it off, examine it closely. It may be your new center.

12. Creatively use and respond to change.

Change happens, and fighting it is a waste of your time. Put it to work for you instead of complaining.

I hope these concepts are helpful in your writing endeavors and life in general. Celebrate Earth Day by reusing them and passing them on.

Applied Poetry, Part One

Here’s what I love about technical and scientific work: it brings with it a fantastic and varied vocabulary and creates new associations for common words. What makes writing fresh and exciting? A new voice, a new way of describing something we all can recognize. A new phrase made out of old words. Every discipline has its own specific lexicon, exotic and utilitarian at the same time.

Below is a brief sample of borrowed terms that are entertaining me at the moment. Want to play along? Start reading things outside of your usual choices. Pick up a magazine about astrophysics, knitting, veterinary medicine. See what you can find and steal for use elsewhere. If you find something great, add it in the comments.

Axiom of countable choice: This is “an axiom of set theory [that] states that any countable collection of non-empty sets must have a choice function. Spelled out, this means that if A is a function with domain N (where N denotes the set of natural numbers) and A(n) is a non-empty set for every n ∈ N, then there exists a function f with domain N such that f(n) ∈ A(n) for every n ∈ N.” Straight out of Wikipedia because I can’t explain it any better than that without screwing it up. One thing I can tell you is that it is not inductive, because countable choice is not the same as finite choice.

Chain of custody: This is a form that accompanies field samples on the way to a laboratory for testing. It provides a record to guarantee that the samples were not compromised. I love the idea of a metaphorical chain, a written tale of an item changing hands from creation to disposal. Imagine if every person had one.

Doctrine of signatures: Not a science term anymore, but this was cutting-edge medicine in the Middle Ages. First discussed by Dioscurides in Greece and Galen in Rome and later written about extensively by Paracelsus and Jakob Böhme, the doctrine advances the idea that living things will heal or affect parts of the human body that they resemble. For example, liverwort looks like a liver and is used to clean the blood. Earwigs were believed to make a fine remedy for earache. The idea is that of some divine pharmacist signing everything with its proper function for us, the alleged stewards of creation.

Shadow price of carbon: This reminds me of the Shadow Parliament or Shadow Ministers in the Westminster system of government, which sounds terribly sinister but is really just a form of checks and balances. If it makes you think of the Shadow Proclamation, well, I’m right there with you. The actual definition of the SPC is the long-term environmental cost of using or avoiding the use of a unit of carbon in terms of greenhouse gas emissions. Nearly everything has a shadow price: say, for example. you slip out of your office to grab a cup of coffee and miss a call from a client, who then offers a $40,000 job to someone else. The shadow price of coffee just became $40,002.